the last couple of days I've been listening to front line assembly's 'barcode' more or less on repeat- mostly for the sheer vocal texture, which sounds like what I imagine my own little slaughterhouse will sound like, when I finally manage to apply a tactically reworked version of derrida's spectre to it... haunted by industrial rhythms and evil things that make thick liquid sounds. zizek defines the spectre more or less as the residue of the real, produced through the necessary incompleteness of any symbolization relative to what it seeks to represent. the unrepresented returns to haunt the symbolic order that expels it. this is a temporary interpretation - I still have no clear idea what zizek means by 'the real' [I know, this is what theory does to you] - but something that may or may not be an example:
at the end of last year, a cat that moved into the college grounds attracted enormous attention, out of proportion to its diminutive slack orange frame. students fed it en masse with stupendous and surprising affection: cans and cans of tuna, bowls of milk at night in the clubroom and so on. attentions that soon turned as illicit as the cat grew fat and shiny. college forces cracked down with equal disproportion- loud posters in doorways, DO NOT FEED THE CAT, circular emails to all members of college, quoting the paragraphs in the tenancy agreement that prohibits the keeping of pets and so on... from our lunch-break bench under the tree at the far end of the little park with the horsey behind that anonymous building in the north-east corner of college, all the fuss seemed rather curious. but it is not. here is why. simply, the cat is the symptom that disturbs the stable order of college. in it become vested all those memories of a normal life, outside and before, in which there were animals to feed, families, friends, social lives, in short: to students, the cat embodies the memory of a lost normality, a past existence untouched with the systemic artifice of college life, a nearly effaced and forgotten order in which sanity was not an uphill struggle fleeing the constant threat of an institutional adaptation that leaves you unsuited to life 'outside' - like that guy that comes out of prison in the shawshank redemption and proceeds to hang himself in the first motel. the cat is thus the monstrous expunged spectre that inhabits the tightly governed symbolic order of college, embodying the unrepresented: posters and circular emails are expulsions, purgations, purifications aiming to reestablish the stable tyrannical governmentality of the everyday student factory. which does not include cats: cats do not foster excellence. in short, these are exorcisms. this highly simplified interpretation sits within an overall theory of college governmentality, developed over several years of intensive if marginal ethnography. with a nod to james scott, i have in mind a lovely article bringing together key incidents of college life in the last few years: "seeing like a college - the biopolitics of cats, curtains and coffee cups".
otherwise, walking around the back of the new blocks at the other end of college tonight, unexplored territory, we were spotted by an infrared [!] security camera that brought the night-porter along at a jog, carrying a clublike flashlight, to investigate our suspect activities: trying locked doors and stuff. discovered that said blocks are not only lavished with ornamental greek statues and other marble structures, but college cards of mere mortals such as us do not suffice to sweep us past the magnetic locks. higher security clearances are apparently required to access the nice statues and the bright lights. curious.
catalyst for the walk was dinner invite by sweet former lover - not the most recent but the one before - living over on that side [hey, you're reading this too: thanks! another nice person I owe a meal. flats: lose some weight and people start giving you free food! not to be disparaged]. having lunch tomorrow with her, a two-year affair, plus the equally lovely mother of the one before her, of three and a half years. [one friend thinks I'm completely insane for keeping in touch with former liaisons. but then, she is getting married. madnesswise, I'll pick mine over hers.]
otherwise again, little. a couple of trivial conversations, nothing acute. some very enjoyable email exchanges recently, which are sadly being interfered with by my finite typing powers. a cute girl in college found this site by accident and identified me from an entry about reindeer and alien abductions, she is british and I detected just a touch of awkwardness in her manner, about the incident. though having stumbled onto a rather sweetly simple-minded rant about the president monkey that I wrote five years ago in a different persona, she did produce some highly enjoyable stories about her grandfather hiding refugees in his garage back in the old days. very nice.
Dude, given your nickname we don't want mental images like that, ok? Might lead to you spending this summer at Her Majesty's Convenience, not Spain.
flats - 29 04 06 - 15:52
yeah, ewww, monkey!
Remind me where the idea of striated space comes from? Saw a presentation on that at a games conference at Princeton some years back and have forgotten. I'm beginning to consider focusing intently on space in my dissertation, though, so the reference would be much appreciated.
gus () - 03 05 06 - 04:50
heehh. the conversation was actually about non-human monkeys, and their potential disadvantages(?) vis a vis humans as objects of study. apologies for the uncouth imagery. I promise I don't.
gus: striated space refers back to deleuze & guattari, 'a thousand plateaus', but good luck applying it. it's fun, but kind of a little non-empirical...
scatterbrain monkey - 03 05 06 - 20:44